Glass with a Mission -  Beautiful stained glass items to encourage, inspire & fulfill
Missouri Creativity Center, LLC
Beautiful items to inspire, encourage & fulfill
stained glass studio · gift gallery · tools & supplies · art classes  

(573) 374-9319 - toll free 1-866-263-9319

Home
Cabinet Doors
Custom Windows
Spectrum Glass Samples
Classes
SneakPeek: See what we're working on
Order & Shipping Policies
Custom Glass Ordering Info


Portfolio Pictures 2009 ] Portfolio Pictures thru 2008 ] Words to live by ] Info Request ] Testimonials ] Links ] Mackintyres Church ]



Online Ordering

 

Portfolio Images

Spectrum Glass Samples




Highway 5 between
  Lake Road 5-30 & 5-31 

17753 N. State Hwy 5
Sunrise Beach
Lake of the Ozarks Missouri

(573) 374-9319
toll free
1- 866-263-9319

home page
e-mail us

Sandy-Resume

portfolio


Order Form

Shipping Policies


 

Stained glass supply store - Glass with a Mission, Sunrise Beach, Missouri - Lake of the Ozarks
Sneak Peek:
Peek into our studio
and see what's been happening

Arch window being made in our studio 
Sept 2003 

Custom Arch Window

Glass Artist:  Sandy Johnson

Project Details 

  • Panel Size: 46 1/2" x 64 1/2"

  • 187 pieces

  • zinc border

  • Foil construction

  • Blue wispy, white wispy, purple waterglass, green/olive waterglass, white/white.

This window is being 
custom made for 
Niangua Vista Condominiums,
Lake of the Ozarks, MO 
 


original picture
supplied by
client


finished layout
(computer rendition)

Step-by-step photo's  (and comments from the artist)


1.  Create cartoon & patterns to size

These custom cabinet door panels will really add elegance to a built in cabinet.   I use GlassEye 2000 software to create & adjust the pattern to size. Print/make 3 copies (1 is transferred to freezer paper to use for the glass). I print out a miniature version to refer to for glass information, grain direction  and assembly. (this is called a "cartoon".)

2.  2 full-size copies & cartoon
One full-size copy is used on the layout board, and the other is used to cut apart for pattern pieces on glass and the third is to refer to and keep as an original.  
 

3.  Cut apart pattern 
(note: foil shears are used to leave exact spacing between the pieces for the lead width)

I made one full-size copy by tracing it onto freezer paper (This paper doesn't fall apart when wet).  I use foil shears as this will be a foil assembly (versus lead). 

It seems like this takes forever to get done - after this it starts coming together quickly.  For a glass artist, the prep is always the longest - I guess we just can't wait to get to cutting!



4.  Select glass


glass bench holding various choices

Selecting the glass is one of the most difficult and most rewarding.  There are literally thousands of different glass styles and colors available - each with it's own characteristics.  Chip & Beverly choose elegant glass that is very up-to-date.  The whole aesthetics of the glass piece is controlled by the glass selected.  Sometimes it takes hours to find just the right pieces.

  

5.  Tape pattern pieces to glass

To prepare cutting the individual glass pieces, I tape the pattern piece down to the selected color, referring to the sample printout often.  I also decide which way the "grain" of the glass should run in each piece and lay each pattern down appropriately.  I use double-sided tape to stick the pattern pieces to the glass for cutting and grinding.  I feel I can be more accurate this way.

     


6.  Cut pieces apart

Using a glass cutter (Fletcher Pistol Grip is shown), cut along the pattern.  I don't try to get it exact at this point.  Some will argue, but I still like to perfect each piece with the grinder.

    
7.  Glass pieces assembled on layout

I like to cut all the pieces out at the same time, then go back individually and clean them up and get them to the exact size with my grinder.  Notice that I still have the pattern taped to each piece; this will guide me as to what glass needs removed during grinding.


8.  Glass piece on grinder surface

The grinder enables me to get the piece to the exact size needed.  Some glass artists think you should be able to cut the glass "perfect".  I say it's year 2001, and why not use the tools available?!  I could also dig a hole with a spoon, but I prefer to use the tool that does the best job.

 

   
9.  Assembling the panel

Each piece is articulately cut, ground, and placed onto the layout - leaving approximately 1/32nd of an inch of tolerance between the pieces.    In other words, each piece has to be cut and ground to almost perfection.

I believe in sizing it to perfect dimensions.  Whether they get framed or go into a window, I feel having them square is VERY important.  (Beware...some artists aren't so concerning.)  

You should leave 1/8" all the way around.

 
10.  Foil Pieces


11.  The soldering station

The next step is to solder all the joints together (on both the front and back of the panel).  The required tools include:

  • Soldering iron

  • Rheostat (temperature control)

  • Flux & brush

  • Solder

and, of course, safety glasses are worn 100% of the time!



12.  Flux all joints

Solder will only stick to the areas that have flux applied to them.  I use a gel flux.  I find I can apply it more carefully than a liquid flux without the sizzle from a liquid flux. 


  
  13.  Apply the solder

With a hot soldering iron, get a small ball of solder on the tip of the iron and touch it steady to the area to be soldered.  Holding it on the area for a few seconds, then lifting straight up will result in a smooth flow of solder.  Solder all the joints (it's easier than you think to forget one or two!)  After the front surface is complete, gently turn the panel over and solder all the joints on the back side.  Clean well with dishwashing soap and baking soda.  The baking soda neutralizes the acid in the flux.

(Optional)

14.  Apply patina

This step is optional.  
This is where I would apply a patina (acid that changes the color of the lead) if the client wants it.  Colors available include: copper, black, bronze).

    

15.  Clean, wax & polish
and insert into space

The final step is cleaning and polishing.  GOOD 'OLE ELBOW GREASE!  Clean with a soft cloth  Apply a stained glass wax or a good car wax that contains carnauba wax.  This will reduce chemical reactions and chalky buildup that happens when pieces don't get cleaned well enough or is exposed to pollutants.

 

 

For a custom designed piece, send us an e-mail, fax, or snail mail it with the desired design and desired colors.  Refer to each glass manufacturer for a sample listing of colors available.  We will then quote you a price for your custom designed glass piece.  We will make every effort possible to match your desired color choices.

 

 

Send mail to webmaster@GlasswithaMission.com with questions or comments about this web site.  Copyright © 2002-2009 Glass with a Mission.   Prices listed and availability are subject to change.  Glass with a Mission 1-866-263-9319 Lake of the Ozarks - Sunrise Beach, Missouri.